When Dad Married Fury examines the political and religious divides of contemporary Australia. Director Sandra Bates has a fabulous cast to work with.
Hard-nosed older businessman Alan (Nick Tate) is rich. Extremely rich. How he made his oodles of money and survived the GFC, seemingly without caring about the suffering of those who were wiped out financially, is questionable , but as the main beneficiaries of his will, Ben (Jamie Oxenbould) and Ian (Warren Jones ) arenāt really going to examine their fatherās ethics too closely.
Benās wife Laura (Di Adams) is a āleftyā with major scruples. Her mother, Judy (Lorraine Bayly) lost her husband and all her money as a result of the GFC and Alanās shady financial dealings. So Alanās posh 70th birthday celebrations were always going to be rather fraught.
At his birthday party, Alan introduces his new wife, Fury (Cheree Cassidy) to his family and the fur flies ā metaphorically speaking. Deep family fissures are revealed and secrets uncovered. More bombshells are dropped at the catastrophic party which is the climax of the first half.
As unscrupulous business mandarin Alan, Nick Tate is excellent. We can in some ways sympathise as he blames the Wall Street sharks for the financial fallout that followed. But why did he marry Fury and agree to no pre-nup? Does she really love him? Does he love her?
Fury (a stunning Cheree Cassidy) , an ex-beauty queen, is a wealthy business woman in her own right, running a very successful card design business. At first she tries to be pleasant to Alanās family, and has a charming facade, but we gradually learn that she is a right wing Bible bashing fundamentalist, and vehemently anti-gay. However she does have a good, very moralistic side too, revealed when she discovers Alanās financial shenanigans.
Exquisitely dressed Sue, Ianās wife, is magnificently played by Lenore Smith. Hard and determined, she just wants what is right, which is for Ian to get his share of the mega-inheritance when appropriate. At first she is bitchy and totally anti-Fury but gradually she grows to know, understand, and even like her.
Catty lefty Laura (magnificently played by Di Adams) is almost diametrically opposed to Furyās views, and has no qualms about ruining Alanās birthday celebrations despite the other family membersā pleas. Williamson uses Laura as his voice to express his concern about various social justice issues. Both Laura and Sue have some devastating one liners about Fury before we meet her.
As Alanās sons Ben and Ian, who want and expect a slice of the pie, Jamie Oxenbould and Warren Jones are excellent .We see the interfamily scheming, wheeling and dealing, the hidden jealousies.
I was most impressed by Marissa Dale-Johnsonās simple, rather minimalist set design, which features just a few multi-purpose chairs and tables and an all over, collage-like wallpaper design of Australian currency to almost Pointillist effect. Peter Neufeldās understated but very effective lighting compliments it well.
A scintillating play, full of wicked barbs, that raises some thought-provoking issues about the current state of Australian society.
Rating: 4 stars out of 5
When Dad Married Fury
By David Williamson
Director: Sandra Bates
Set Designer: Marissa Dale-Johnson
Lighting: Peter Neufeld
Wardrobe Coordinator: Terri Kibbler
Cast: Warren Jones, Jamie Oxenbould, Lenore Smith, Di Adams, Lorraine Bayly, Nick Tate, Cheree Cassidy
Running time: 2 hrs 15 mins (including interval)
Ensemble Theatre, Kirribilli
May 3 ā June 16
Theatre Royal, Sydney
June 22 – 23