Who owns Indigenous stories?

Theatre risks offending and cultural appropriation when it tells Indigenous stories, as a recent STC production illustrates.
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Ilbijerri’s Rachael Maza. The photo is by Michael Corridore from the promo campaign for Beautiful One Day.

In a provocative keynote address at the Australian Theatre Forum this week Ilbijerri Theatre Company’s Artistic Director, Rachael Maza, spoke powerfully and passionately about the differences between cultural appropriation and cultural exchange. 

Controversially, she singled out Sydney Theatre Company’s critically-acclaimed recent production of The Secret River  as an example of a work that, despite having the best of intentions, reinforced a number of negative stereotypes about Aboriginal Australians. 

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Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts