Why we persist with landscape exhibitions

A suite of current – and contrasting – exhibitions play with nostalgic visions and future ponderings of what landscape might mean in our times.
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Jude Roberts, graphite tree rubbing, Bimblebox Artist Camp 2013. Photo Jill Sampson; exhibition New England Regional Gallery; supplied

Australia is one of the most urbanised countries in the world, with over two-thirds (69%) of the population living in major cities. Why then do we have this persistent drive to reproduce our landscape and present the rural as a validating backdrop for our national identity?

Read: Why do we keep going back to the bush? (performing arts)

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina