Why are we still watching La Bayadère?

Will this popular ballet join the likes of 'Miss Saigon' and 'Turandot' as a work deemed too culturally insensitive for our stages?
A bare-chested male ballet dancer dressed in a turban and long pants, photographed in mid air performing a leaping side split move.

La Bayadère is one of those “classic” 19th century ballets – up there with Swan Lake and Sleeping Beauty for its spectacle, majesty and lashings of tragic romance.

But unlike Swan Lake and Sleeping Beauty, La Bayadère does not lean on European folk tale traditions to draw in its audience.

Instead, its Imperial Russian Ballet Master creators (which included 19th century Russian ballet titan Marius Petipa) placed their dancers in an “imagined Indian setting” to tell a love story that follows an Indian warrior prince who falls for a beautiful Indian temple dancer (la bayadere), at the same time as he is betrothed to another.

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ArtsHub's Arts Feature Writer Jo Pickup is based in Perth. An arts writer and manager, she has worked as a journalist and broadcaster for media such as the ABC, RTRFM and The West Australian newspaper, contributing media content and commentary on art, culture and design. She has also worked for arts organisations such as Fremantle Arts Centre, STRUT dance, and the Aboriginal Arts Centre Hub of WA, as well as being a sessional arts lecturer at The Western Australian Academy of Performing Arts (WAAPA).