Jo's Latest Articles
Performance Review: At the End of the Land, PICA Performance Space, WA
A non-linear and Lynchian solo performance, with visual and aural extravagances.
Grazie Bella! NGV starts program to boost Italian art access
From Mantegna to Moschino, the NGV is celebrating its Italian art and design Collection in a new program that welcomes…
‘Free the art!’: artist in dialogue with state collection highlights gaps in digital access
A recent artist residency has looked into levels of online access to artworks held in Australian art collections. The results…
The art story behind the $180 million class action win led by Mervyn Street
A recent class action over stolen wages has brought past injustices to light. The paintings of the case’s Lead Applicant,…
Dance review: CEASE/FIRE, C Shed, Fremantle, WA
A dance work which sharpens our eyes to difficult themes of war and its consequences, choreographed by May Greenberg and…
Aboriginal art in the classroom: state gallery model proving welcome support
Educational resources developed by the Art Gallery of South Australia are having nationwide impacts.
This primary school’s a circus … and its results are no joke
This clever partnership shows how circus classes are not about clowning around, but a model with important skills outcomes for…
Exhibition review: Ernabella Arts: Ceramic Warka Wiru 20 Years-kutu, JamFactory
A celebration of 20 years of ceramic artwork at Ernabella Arts Centre.
Tarnanthi 2023 weaves personal stories with skyward visions
From the miniature to the epic, this year’s Tarnanthi group show is united in its capacity to takes us to…
Exhibition review: Vincent Namatjira: Australia in Colour, Art Gallery of South Australia
Namatjira's paintings examine the politics of history, power and leadership from a contemporary Aboriginal perspective.