Who is public sculpture really for?

From colonial statues and monuments for healing to heavy metal abstractions, a discussion at the Sydney Sculpture Conference questioned public art's role.
[This is archived content and may not display in the originally intended format.]

Maribyrnong City Council commissioned the public artwork, Pipedreams – a 12 metre wide and 8 metre high stainless steel sculpture, created and installed by renowned Australian artist, Matthew Harding.

On Saturday, 26 August this year, vandals attacked three historic statues in Sydney’s Hyde Park, tagging them with the words ‘Change the date’ and ‘No pride in genocide’. All four sides of the Captain Cook statue’s base were targeted; statues of Governor Macquarie and Queen Victoria were also tagged. Prime Minister Malcolm Turnbull reacted by calling the graffitiing a ‘cowardly criminal act’.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina