Triennial: a case for less is better in a complex world

Curator Hetti Perkins renews and extends our perceptions of Ceremony in her fourth Indigenous Triennial.

Curator Hetti Perkins has refreshed and revitalised the age-old meaning of ‘ceremony’.

An Arrernte and Kalkadoon woman, Perkins has collaborated with National Gallery of Australia (NGA) curators to deliver the fourth National Indigenous Art Triennial, titled Ceremony. She describes: ‘Ceremony is not a new idea in the context of our unique heritage, but neither is it something that belongs only in the past.’

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina