Lisa Slade’s take on the Wunderkammer compounds the adage that everything old is new again, stamping a fresh brand on this 25-year old event that is based in partnerships.
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Visual Arts
Lisa Slade curator of the 2016 Adelaide Biennial; Photo Nat Rogers, supplied
It has been 25 years since the first Adelaide Biennial of Australian Art was staged – now is a fitting time for re-visiting its model and taking greater ownership of its future says Lisa Slade, Curator of the 2016 exhibition and Assistant Director Artistic Programs of Art Gallery of South Australia (AGSA).
Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW.
Instagram: fairleygina
