How legislation has given AGNSW the blockbuster edge

Protection against seizure and restitution has enabled some of China's most important objects, once housed in the Imperial Palace and now held by Taiwan, to travel to Sydney.
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Ming dynasty 1368–1644, Wen Zhengming (1470–1559), Heavy snow in the mountain passes 1528–32 (detail), handscroll, ink and colours on paper, 25.3 × 445.2 cm, National Palace Museum, Taipei. Photo: © National Palace Museum, Taipei. From exhibition Heaven and earth in Chinese art: treasures from the National Palace Museum, Taipei at AGNSW (2019).

Despite growing pressure over the past decade to protect culturally significant objects when they are loaned internationally between art museums, there are less than 20 countries that have an Immunity from Seizure Act in place. Australia is one of them.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina