On 12 June, Sydney musician and software engineer Harrison Khannah launched Triple J Watchdog, a website dedicated to aggregating and analysing the music played on Australia’s national youth broadcaster Triple J.
Close scrutiny, however, reveals a different story.
In Eltham’s 2009 piece this was framed as a part of its model, wherein the station functions as a stepping stone in a chain of discoverability that begins with commercial bops and ends with community radio.
