Galleries
100 days on the job: Bree Pickering, National Portrait Gallery
How is Bree Pickering using her US experience to regear the National Portrait Gallery in its 25th anniversary year?
Exhibition review: Between Waves, ACCA
The third iteration of the Yalingwa series, ‘Between Waves’ resets binaries to find a delicate in-between space.
Exhibition review: Twist, Tasmanian Museum and Art Gallery
‘Twist’ is one of those rare exhibitions that hit the mark on both depth and scope, with curious encounters and…
Exhibition review: Henri van Noordenburg, Logan Art Gallery
Revising Renaissance techniques from the Netherlands, aspects of ’Still Water’ may elude some audiences. But this is why viewing should…
Celebrating the vision of female photographers in recent exhibitions
Female photographers in the spotlight with a series of currently showing and upcoming exhibitions, each expanding the idea of portraiture.
International Symposium of Electronic Art heads to Brisbane 2024
ISEA returns to Australia after a decade-long absence and is inviting explorations on time from a First Nations perspective.
Exhibition review: Pre-Raphaelites and In the Company of Morris, Art Gallery of Ballarat
Two interwoven exhibitions at the Art Gallery of Ballarat are presented in the spirit of the Pre-Raphaelites with new contemporary…
How the State Library of Victoria is reinventing itself through art
There are galleries in libraries and Iibraries in galleries – are these categories still relevant and what is the role…
Exhibition review: Pierre Bonnard: Designed by India Mahdavi, NGV
What is gained, and lost, in the NGV's latest masterpieces blockbuster featuring French painter Pierre Bonnard and designer India Mahdavi.
Haegue Yang speaks about major NGA acquisition
Haegue Yang reflects on the acquisition of her major exhibition by the National Gallery of Australia.