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Matthew Deaner, CEO of Screen Producers Australia, swims against the ideological tide.
In the lead up to the Victorian state election on 24 November, the Minister for Creative Industries Martin Foley MP puts forward his vision for the sector.
Opinions & Analysis
The $344 million Sydney Modern expansion of the Art Gallery of New South Wales has received planning approval, and Australia’s highest green rating.
With any new idea, creative direction, or career path, there are common blocks that stand in our way. Madeleine Dore shares tips on overcoming procrastination, self-doubt and distraction to get started.
What was once seen as a niche genre has now exploded into popular culture – at Brimbank Writer's Festival three authors explain true crime's meteoric rise.
Shift the gender balance and be part of the $35,000 Ravenswood Australian Women’s Art Prize – it’s more than a prize; it’s a movement.
Aspirations, egos, classes and tones all clash in The Overcoat – a title as innocuous as it is tragic.
First penned 90 years ago, this grim, sober and powerful war drama makes for moving viewing.
In the ten years since Melbourne joined the UNESCO Creative Cities Network, how has the literary sector changed, and what might the future hold?
The best work in this exhibition draws from the country’s deeper heritage to create an eloquent throughline for the viewer.
Does this add up to a revolution? Time will tell.
A famous performance of classical music’s most famous composition.
The reader looking for a good yarn in a rural setting will find it here.
Instead of taking the opportunity to make our funding frameworks fit-for-purpose, we're being asked to finesse an inherently flawed system that does more harm than good.
This show rocks and bangs but first of all, let’s get this straight: this is not your average circus, this is a rock opera fusion circus.
2018 NSW Visual Art Emerging Fellowship awarded; five Brisbane filmmakers share $50,000 in funding; finalists for the National Photographic Portrait Prize 2019 revealed and more.
Carina Roberts as Clara and Claire Voss as the Snow Queen and Sugar Plum Fairy were as light on their feet as fairy floss.
Stuffed full of alternative Australian voices ready to challenge a mostly Anglo Saxon theatrical tradition – The God of Strangers feels like a playful exploration of what is possible for the future.
Adelaide audiences experience a musical evening in Indonesia with this world premiere performance.
Two exhibitions offer a layered narrative of Captain Cook’s Pacific encounters, one that has plenty of space for First Nations voices.
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