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Set in the Gothic heartland of Tasmania, this murder mystery is yet to deliver on its supernatural teaser, says Mel Campbell.
The Regent Theatre unveils its new look, Mona to run 42-day music marathon, Destiny Deacon retrospective comes to NGV, Metro Arts Future Fund announced, and more.
After seven years in the role, the Maestro is moving on. He reflects on the highlights of his time with the MSO and the challenges facing the orchestral music sector.
Meet Adelaide Festival's new Executive Director, new Board members for ATYP and The Australian Ballet, Concertmaster moves on, and more.
The outstanding productions of the year, as selected by our Performing Arts Editor Richard Watts and some of our keenest reviewers.
2019 was big: big on political unrest, big on international imports, big on empathy and wellness, but mostly, big on celebrating women in the visual arts.
How to deal with times of intense change? Let Anna Karina show you the way to a life beyond language and moral certainty.
Care about docs? This is why you should.
We hope you have a fun and festive end to the year. Here are our opening hours over the break.
Despite casting qualms, this version is both a beautiful Christmas bonbon and a witty warning against sentimentality.
White tells his story with a disarming utter frankness.
Screenhub gets the lowdown on working in production in film, television and videogames from two producers who've done it all.
Remember when the future was going to be a bright, shiny place full of optimism and hope? Me neither.
Our critic abroad reflects on the films that linger in memory from 2019.
Opinions & Analysis
Confused by global changes this year? We're here to help.
Here's what the Screenhub critics liked best this year. Catch up during the long summer binge.
Bernadette Robinson’s versatile, nimble voice and Joanna Murray-Smith’s clever script bring five famous songbirds to life, as well
Sarah Thornton is at her best in her depiction of a football-mad community.
With the announcement of the loss of the word ‘arts’ from the new super department many are concerned, but Justin Murphy argues that we shouldn’t read too much into the name change and look for opportunities.
We pay tribute to just some of the screen workers whose lives embody part of our sector's long and winding history.
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