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Showing all news in Opinions & Analysis
George Brandis is showing support for the controversial Melba Foundation, which was defunded after peer review.
Opinions & Analysis
Tomorrow’s culture will be made by coalitions and communities, like the 1,000 people who made The Passion in a Welsh steel town.
The new censorship is a symptom of the lack of respect for cultural freedom and creative expression, also felt by musicians.
Regional touring champions community, empowering local selection of artistic programs.
Artists need the skills to defend their work against personal ideological crusades and political point scoring.
Public broadcasting is driven by volunteering and contributions but it will die without a modicum of Government support.
There are not enough jobs for designers and that's only part of the problem for those wanting to make it in the industry.
The debate about adaptations of classics in Australian theatre is just another example of the cultural cringe
Was the media's failure to report appropriately about the death of Yunupingu ignorance or disregard for Indigenous culture?
£1 billion from the National Lottery will go to the arts in the UK, but in Australia gaming leaves the arts largely empty-handed.
Most readers are positive about e-publishing but many writers don’t know how to reach them.
A performance artist challenges a grant-maker’s decision and wins.
Can artist run collectives, help solve Adelaide’s identity crisis, and stem the flow of young creatives to the east coast?
In 2014, the new Australian Curriculum in Music will be ready for implementation. But, most Victorian teachers lack the training.
Collections and performance spaces are as much an infrastructure as roads and airports.
After successfully crowdfunding a project, writer/director Lucy Gaffy asks others what they did right.
The strongest influence on how an artist's work is valued after death is often the surviving partner.
The Australia Council chairman makes a plea for valuing guides and their relationship with the public, not just collections.
Theatre that changes lives needs to make the invisible visible.
The head of one of Australia biggest corporate supporters of the arts explains what’s in it for big business.
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