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Showing all news in Opinions & Analysis
Can artist run collectives, help solve Adelaide’s identity crisis, and stem the flow of young creatives to the east coast?
Opinions & Analysis
In 2014, the new Australian Curriculum in Music will be ready for implementation. But, most Victorian teachers lack the training.
Collections and performance spaces are as much an infrastructure as roads and airports.
After successfully crowdfunding a project, writer/director Lucy Gaffy asks others what they did right.
The strongest influence on how an artist's work is valued after death is often the surviving partner.
The Australia Council chairman makes a plea for valuing guides and their relationship with the public, not just collections.
Theatre that changes lives needs to make the invisible visible.
The head of one of Australia biggest corporate supporters of the arts explains what’s in it for big business.
Two months after the big announcement, the budget is locked in. So how does the sector feel?
We ship our food and our resources off all around the world, but when it comes to art are we an imports only country?
Elizabethan audiences sat between the legs of those behind. Today’s audiences expect leg room and clear sight lines.
Many community stations will be forced to ‘turn-off’ their digital radio services soon, forcing listeners to turn to other sources
Content aggregators now have the power and access that used to belong to agents and artists' managers.
As baby boomers reach retirement age their love of Australia’s cultural institutions remains steadfast.
Without a national identity function for the Australia Council will we sink into national dementia?
How does an arts advocate successfully argue the case before the Senate Inquiry into the Australia Council Bill?
The arts and entertainment industry needs to create new marketing products for the internet age.
This weekend the Australia Council for the Arts will bring together 60 of Australia’s leading practitioners and thinkers in experimental practice.
Think people won’t pay for creative content because so much is available online for free? That’s not what the numbers show.
The changes in funding and policy are rippling through the entire ecology of the arts and cultural sector.
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