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Showing all Digital news in Features
Gayby Baby joins a very short list of Australian documentaries with a US theatrical release, propelled by the internet and political support.
The Screen Producers Australia Ones to Watch initiative is close to deadline for 2016 - and it is a very valuable initiative.
Developers from tiny markets like Australia are not necessarily disadvantaged when making games go global - a marked contrast to the film industry.
No art form connects with its audience more viscerally than gaming: it's time everyone else paid attention.
The doors to television careers are creaking open, as the genie of short online narrative series flexes its muscles.
People working in the arts and creative industries are moving out of the city and finding the tree change to be a boon for creative practice.
It’s the Holy Grail for marketers: understanding what makes a video ad go viral. But exactly what motivates a person to tell others about a video?
The Blue Mountains is the first to establish a Creative Cluster to bolster local collaboration and create a more resilient industry.
Indie-friendly VOD is alive, kicking and even easy, if you don't get cynical on the way.
The Oscars are not a great big tablet of joy for the pics that scored. We must be plum tuckered out with the hysteria.
From an international monster in training to our own cute little IView, here is a sketch map of the VOD biosphere, with added practicalities.
Like Fury Road, Happyband OK Go is determined to utilise in-camera SFX. In this case, the challenge is to do extended weightlessness routines.
The Australian Centre for the Moving Image will redefine its role, working with screen creators to enable them to make new work as the very model of a 21st century museum.
The AFTRS online skills survey needs the utter glory of your opinions. We dare you to be part of industry history.
Committed to social change, documentary filmmakers are pioneering new ways of reaching audiences - and creating a new craft called impact producing.
What happens when rap gets to Siberia, and reaches back to Youtube? Very slick, strange and homely.
New audiences, new stories - how can we find a development process to match them and a new generation of creators? Deadlock is anything but stuck.
Here is a dob of pure unabashed squeaking aargh sentiments which is not even manipulative, just because it is Xmas and we have a heatwave.
Encouraging transparency and participation, the 2016 ArtsHub Conference will provide the sector with an opportunity to get answers from industry leaders.
True stories are both inspiration and prison. Walking that fine line is a challenge for writers and a pleasure for writer-watchers.
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