Savannah Indigo

Savannah Indigo is a researcher and copywriter, trained in publishing, dance, literature and law. Passionate about gender issues and promoting equity through tech design, she has researched Indigenous Data Sovereignty for the Commission for Gender Equality in the Public Sector and is developing a paper about harassment in the Metaverse. She has written for Brow Books, Books+Publishing magazine, The Journal of Supernatural Literature (Deakin University) and the Science and Technology Law Association, and is a 2022 Hot Desk Fellow at The Wheeler Centre.

Savannah's Latest Articles


Opera review: Galileo, Victorian Opera

A bold and epic new opera from Richard Mills that almost reaches its potential.

Cinderella. Image is a ballet dancer in a blue layered costume dancing with arms out to the side and balanced en pointe with one leg raised behind her. She is on a stage with a large moon and starry sky as the backdrop. A male and female dancer are on the left and right hand side of the stage respectively.

Ballet review: Storytime Ballet: Cinderella, Arts Centre Melbourne

A magical storytime ballet that’s a delight for children and adults alike.

Zach Bryan. Image is a man in jeans and Budweiser T shirt playing an acoustic guitar in front of a band on stage. His right arm is heavily tattooed.

Music review: Zach Bryan, Flemington Racecourse

The US country star was joined by Dermot Kennedy and Daniel Ricciardo for a boot-stompin’ night of fun.

Prydz. Image is a human in a space suit projected on a huge screen in front of a dancing crowd.

Music review: Eric Prydz, HOLO, ALWAYS LIVE, Rod Laver Arena

The acclaimed Swedish DJ and producer created an enticing, electronic dystopia and unique spectacl

Always Live. Image is a blue lit stage with a blonde woman in a sleeveless dress singing or speaking into a microphone.

Music reviews: Taylor Made and Summer Camp Festival, ALWAYS LIVE Festival

As 'Taylor Made' and 'Summer Camp Festival' proves, live music is back.

The Visitors. Image is three First Nations singers with face paint and a bare tree trunk, wearing dark, grey and brown robes.

Opera review: The Visitors, Arts Centre Melbourne

Victorian Opera's adaptation of Jane Harrison's novel and play leads audiences to new ways of thinking about opera and Australia’s…


Ballet review: Swan Lake, Arts Centre Melbourne

The Australian Ballet’s revival of Anne Woolliams’ 1977 'Swan Lake' is sure to delight devoted classical ballet lovers.


Opera review: Capriccio, Palais Theatre

Victorian Opera’s Capriccio was an indulgent treat for music lovers and wordsmiths alike.


Ballet review: Giselle, Arts Centre Melbourne

The Tokyo Ballet production of this beloved classic is enough to prove the existence of magic.


Opera review: Idomeneo, Palais Theatre

A striking co-production that draws on Greek mythology to offer hope for a new world.

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