Ned Hirst

Ned Hirst is a lawyer and writer based in Sydney whose work has appeared in Overland, The Australian Law Journal and elsewhere. He tweets at @ned_hirst.

Ned's Latest Articles

Four soldiers in shadow standing in pairs in the background. In the foreground are two soldiers, crouching on the ground, each one holding a woman in his arms. The women are wearing white gowns.
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Opera review: Così fan tutte, Sydney Opera House 

If you can forgive the problematic sexual politics, 'Così fan tutte' is enormous fun.

A darkened stage lit up by three small lamps. A middle-aged man and a woman are seated centrally at a table. To the left is an older man with a guitar, on the right and older woman knitting.
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Theatre review: Uncle Vanya, Ensemble Theatre

Joanna Murray-Smith's adaptation of Chekhov's classic play is elegant and tasteful.

A person with dark trousers, short hair and a towel around their neck is standing in the distance of a set made to look like an empty pool. There is a stepladder on the top right. Swim.
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Theatre review: Swim, Carriageworks

A trip to a public pool provokes deep, submerged reflections.

A man in a white shirt, black pants and tie is standing in front of an office set. He's got on hand on his hip and another pointing at the viewer.
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Theatre review: The Gospel According to Paul, Sydney Opera House

Jonathan Biggins returns for another season in office as our former Prime Minister.

Never Closer. Four student looking types lounge around a shared house set at Christmas time. One woman brandishes a bottle towards a man and a woman sitting at a table. A fourth man leans to the side wearing a Santa hat.
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Theatre review: Never Closer, Belvoir St Theatre

Set against the backdrop of The Troubles in Northern Ireland, this debut play returns for another successful run.

Switzerland. A theatre set of a writer's study with grey concrete walls, a two seater leather backed couch, a wooden coffee table and downstage a cluttered desk with a middle aged white woman working at a typewriter. Behind her a young white man has come through the door and looks nervous.
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Theatre review: Switzerland, Ensemble Theatre

Patricia Highsmith is all the rage at the moment, so it's a good time to stage Joanna Murray-Smith's play about…

Saplings. Image is three young men on stage, one seated on the ground, two standing and looking down at him. They are all behind a large net-like curtain.
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Theatre review: Saplings, Sydney Festival

Stories of young people in the youth justice system.

Beatrix & Fred. Image is a black and white headshot of the author on the left, she has dark hair and polo neck jumper. On the right is a blue book cover with the title and a dead (upside down) canary at the bottom of the image.
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Book review: Beatrix & Fred, Emily Spurr

Two loners and their odd, off-kilter relationship.

The Seagull. A young man with a bloodied bandage on his head sits with his legs drawn up to him and is embraced by an older woman in a black jumper.
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Theatre review: The Seagull, Roslyn Packer Theatre

A contemporary version of Chekhov's famous play shows 'The Seagull' has lost none of its relevance.

Twelfth Night. A dark spotlit stage features small trees in large pots, a couple of actors cuddle on. either side of the stage and a person centre stage with arm raised, wearing a white waistcoat, braces and black shorts.
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Theatre review: Twelfth Night, Sydney Opera House

This production of Shakespeare's classic gender swap comedy deliberately dramatises its tragic elements.

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