Kim Hitchcock

Kim Hitchcock is a freelance writer based in Melbourne who has an interest in all art forms and enjoys exploring them locally and abroad. He has completed a Master of Art Curatorship at the University of Melbourne and can be reached at kimhuyphanhitchcock@gmail.com

Kim Hitchcock's Latest Articles

Fifteen performers on stage for the production of Songs for a New World.
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Songs for a New World review: talent aplenty at Chapel off Chapel

With a large cast, Songs for a New World showcases the talents of songwriter Jason Robert Brown.

A young boy is crouching to the side. Behind him is a ladder in a production of Yong.
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Yong review: new play takes us from China to the goldfields of Australia

Jenevieve Chang's Yong mixes fact and fiction to explore a boy's journey to the Ballarat Goldrush of 1857.

A woman in black with blue glasses sitting against a grey wall. Performer of 'My Cousin Frank'.
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My Cousin Frank review: Rhoda Roberts engages at Arts Centre Melbourne

A tribute to the first Aboriginal person to represent Australia at the Olympics.

A man with a stuffed suitcase of playing cards running away from another man in an orange high vis vest. Working class magician
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Working Class Magician: Rehired review – staged with safety in mind

Working Class Magician: Rehired features an inventive setup of a safety seminar for working magicians.

A woman with dark hair in a sparkly top. Loving The Alien.
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Performance review: Loving The Alien, Arts Centre Melbourne

A tribute to David Bowie and an attempt to address the many layers of his personality.

A young man looks shocked while another youth shouts at him in the background. A scene from Lunatix Theatre's 2025 production of 'Blackrock' at The MC Showroom.
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Theatre review: Blackrock, The MC Showroom

Nick Enright's 'Blackrock' is sadly as relevant today as it was in 1995 when it was first performed.

A young man in a WWI soldier's uniform sits in profile in the dark. In the background is a woman in white.
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Theatre review: Soldier Boy, Theatre Works

From Melbourne to Gallipoli, Anthony Hill's play follows a boy's journey to war.

Two female road workers dressed in white helmets and orange hi-vis jackets sit in folding chairs. They nurse cups of tea and a Stop sign is drapped across their laps. A traffic cone is visible behind them.
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Theatre review: How To Hold A Sign, The Butterfly Club

An insightful and accessible exploration of the challenges faced by women working in the construction industry.

A pushbike on the left of the stage. On the right is a person dressed as a stork in yellow pants and a white ruffly top. A scene from Antipodes Theatre Company's 'Storked' at Theatre Works.
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Theatre review: Storked, Theatre Works

The politics of pregnancy from a queer perspective.

A scene from Thursday’s Child Theatre's 2025 production of Harold Pinter's 'Betrayal'. Photo: Shay Bedel.
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Theatre review: Betrayal, Chapel off Chapel

Harold Pinter's classic play is still relevant decades later.

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