Karen's Latest Articles
Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival
A smorgasbord of cabaret, theatre and live music at the Sydney Festival.
Self-representation and cultural references in the work of Telly Tuita
Telly Tuita’s solo exhibition signifies a full-circle moment.
Performance review: Viva Korea, Riverside Theatres
A nod to tradition that ended in a communal sing-along.
A collection’s blueprint for ruins
ArtsHub previews White Rabbit’s latest exhibition, ‘A Blueprint for Ruins’, on the race of renewal and destruction within China’s urban…
Dance review: New Breed 2023, Carriageworks
Unwavering talent with evocative works showcasing the newest developments in contemporary dance.
Towards continuum: behind the hardware of digital art
Understanding the self and the future in digital art through artists from the Asian Australian diaspora in collaboration with Sugar…
Live Futures: an inquiry of queer sex and play
When we look for sex and play, where do we go? ArtsHub attends 'Live Futures: Queer Cultural Safety and Existential…
Performance review: Nighttime Righttime, Carriageworks
Presented as part of Performance Space’s Liveworks Festival, ‘Nighttime Righttime’ was a syncopated medley of the wonderfully odd.
Film reviews: Flora on the Sand (1964) and Juvenile Jungle (1956), Japanese Film Festival
The feature of a retrospective at the 2023 Japanese Film Festival, Kō Nakahira was a filmmaker who interrogated themes of…
Dance review: Angela Goh Axe Arch Echo, AGNSW
Goh's meta-narrative of obstruction and negative space projected intrigue in fearful symmetry.