Catherine C Turner

Catherine C. Turner (she/they) is based in Djilang/Geelong and is an emerging writer, amateur musician, hobby photographer and lifelong arts consumer. She has an honours degree in creative writing from the University of Canberra and an MFA (Cultural Leadership) from NIDA, during which she wrote an original Australian feminist fairy tale.

Catherine C Turner's Latest Articles

Two panels. On the left a Caucasian woman with shoulder length dark hair, drop pearl earrings, red lipstick and a sleeveless black top. On the right a book cover of an abbey interior with a WW1 nurse in the background and a figure in a long green dress, with the whole bathed in yellow light over blue at the bottom of the image. The Surgeon of Royaumont
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Book review: The Surgeon of Royaumont, Susan Neuhaus

Shining a light on Australian female doctors in WWI.

Two panels. On the left is author Wendy Parkins. She has auburn hair and is dressed in black. On the right is the cover of her book, with 'The Defiance of Frances Dickinson' written on a scrap of paper.
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Book review: The Defiance of Frances Dickinson, Wendy Parkins

A tale of domestic violence and divorce that is as relevant now as it was nearly two centuries ago.

A production of 'Edging.' Sammaneh Pourshafighi in acqua blue tracksuit is in forefront. Eden Falk is in the background. There is an image of the contents of someone's luggage on the screen behind them and part of an airport security equipment with a piece of luggage on it.
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Performance review: Edging, Arts House

A show highlighting the perverse reality of Australia’s border security processes.

Matt Harvey, a red-headed man with a beard is wearing a blue shirt. He has pieces of white and orange paper stuck to his forehead and his shirt.
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Comedy review: Wage Against the Machine, The Mission to Seafarers Victoria

A one-person stand-up show reflecting on modern working life.

Four women of 'Grrrl Power' in shades of green, blue and purple.
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Performance review: GRRRL Power, Trades Hall

A celebration of girl bands over the past 80 years.

Two panels. On the left is a photo of a man with dark hair wearing a black t-shirt. On the right is the cover of a book with 'Oblivion' in white. There's a picture of a silhouette woman overlaid with views of a city.
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Book review: Oblivion, Patrick Holland

Holland's latest novel is the antithesis to a high-octane thriller.

Against pink swirly drapes, a man and a woman are sitting on chairs. She on the left is dressed in an old fashioned dress and a wide brimmed hat and carrying a clipboard. He is wearing modern clothes: pants and a shirt. He has his arms wide, in the middle of talking.
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Theatre review: The Platypus, Theatre Works

An unflinching play based on real experiences that hits a little too close to home.

Julia Slater-Allan and Sam Corr in ‘Cutting Onions’. Photo: Supplied. A woman sitting on the countertop based in purple light in a domestic sitting, gesturing to a man wearing a black hoodie.
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Theatre review: Cutting Onions, The MC Showroom

A visual extravaganza about modern relationships.

James Joyce (Tref Gare) performing his spider dance in ‘ Samuel Beckett and the Rainbow Girl’. Photo: Jody Jane Stitt.
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Theatre review: Samuel Beckett and the Rainbow Girl, St Martin’s Theatre

A new play exploring Irish novelist James Joyce’s Paris years in the 1920s.

Thunderhead. On the left is a book cover of clouds in a dark blue sky, with large pearls dotted across the cover, and the title running down the sides. On the right is a black and white headshot of a young white woman with long straight hair and a fringe.
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Book review: Thunderhead, Miranda Darling

Inspired by Virginia Woolf’s Mrs Dalloway, this novella explores coercive control. 

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