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Close up face of a man, Tom Moran. He has a lolly with the word 'liar' on it in his mouth.
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Comedy review: Tom Moran is a Big Fat Filthy Disgusting Liar, Trades Hall

Why has Tom Moran lied all throughout his life? The comedian-performer reflects on his penchant for fib-telling.

Seven women dressed in pink netball uniform are standing with their coach, who's in the middle holding up the netball.
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Theatre review: Lady Macbeth Played Wing Defence, Trades Hall

Competition to get to the netball top - Shakespearean ambition as cabaret.

'Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis' installation view at ACCA. A room with gray walled filled with large paintings. In the left corner is an area with a black sofa and small video projected on the wall.
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Exhibition review: Tennant Creek Brio: Juparnta Ngattu Minjinypa Iconocrisis, ACCA

The Tennant Creek Brio artistic collective presents a landmark survey with reclaimed mining maps and a wasteland archangel.

‘How Art Works’ by Chloe Watfern. Watfern is shown in a photo on the left, a woman with pale skin and tied back brown hair, wearing large circular earrings and a blue and white circular scoop neck top. On the right is a cover of the book with a. Series of black and white prints with faces drawn on, and the title ‘HOW ART WORKS’
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Book review: How Art Works: Stories from Supported Studios, Chloe Watfern

Spotlighting artists with intellectual disabilities and their ways of art-making, ‘How Art Works’ is an insightful must-have for every arts…

An inverted triangle with a chunk taken out of it is covered with black and white print and sitting on a small plinth. A white spotlight is shining on it.
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Exhibition review: Bandarr Wirrpanda and Yinimala Gumana: Timeless, MAGMA Galleries

MAGMA Galleries showcases spectacular contemporary Indigenous Australian art

The cast of 'Classifried': two women and three men are emoting and gesticulating.
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Theatre review: Classifried! The MKUltra Sitcom, The Butterfly Club

The theatre audience becomes a sitcom audience in this comedic offering.

Person in gallery with pastel coloured abstract paintings. Lesley Dumbrell
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Exhibition review: Lesley Dumbrell: Thrum, five decades of practice at AGNSW

'Thrum' perfectly describes the consistent vibration and pure pleasure at the heart of Dumbrell's practice for five decades.

Two panels. On the left is a smiling woman, Jumaana Abdu, wearing a taupe and white hijab. On the right is the cover of her novel, Translations, which features a woman also wearing a head veil. Her face is overlaid with some intricate patterns.
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Book review: Translations, Jumaana Abdu

A psychological journey that canvasses the depths of identity and trauma and explores the gaps of language.

A series of colouful bendy sculptures by artist Renee Kire are enclosed in glass.
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Exhibition review: Renee Kire: Twist and Turn, Rockhampton Museum of Art

Renee Kire addresses women’s minimalist sculpture.

pink tones of back lighting with group of dancers silhouetted against it. Angelica Mesiti
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Exhibition review: Angelica Mesiti: The Rites of When, AGNSW

Angelica Mesiti delivers a complex and immersive video work, but it is overshadowed by the architecture of the Tank gallery.

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