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Four school girls dressed in uniform with white blouses and light green skirts.
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Theatre review: The Assignment, Clubhouse Theatre, Townsville

A coming-of-age comedy drama set in the 80s.

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Performance review: The Act, RISING, Chunky Move Studios

A movement/theatre hybrid delving into the parallels and disconnections between dance and sex work.

A figure in prison black and white stripes trying to escape.
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Immersive review: Prison Island Melbourne, Docklands

34 cells offer escape room challenges of varying difficulties.

A man on stage with his arm in the air. He is wearing a green print shirt. There are drummers behind him.
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Music review: From Harbour to Harbour 2, National Theatre

A joyous celebration of southern Iranian traditional music with Australian Indigenous collaborations.

A man in a white T shirt and jeans and a woman in a lilac jacket stand on stage with drinks
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Theatre review: Heartbreak Hotel, RISING, The Showroom Arts Centre Melbourne

'You'll be so lonely, baby...' New Zealand's EBKM brings a show about heartbreak to this year's RISING.

A large outdoor installation showing the words in white neon capitals ‘I’VE CREATED A NEW NATIONAL ANTHEM | TAKE A KNEE AND SCREAM UNTIL YOU CAN’T BREATHE”.
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Festival review: Dark Mofo 2025 Week One

Dark Mofo returns to the embrace of an enthusiastic crowd after a one-year hiatus. Here are the top 2025 highlights.

a young man with Down syndrome wears a yellow t shirt and a crown and sits on a blue chair in front of a screen showing many other actors who have played Hamlet.
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Theatre review: Hamlet, RISING, Union Theatre, University of Melbourne

It's 'Hamlet', but not 'that' one. No, this version has dancing, rap and a beautifully conceived and executed message behind…

Two young boys and a young girl. The girl is pointing a wand.
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Music review: Harry Potter and the Philosopher's Stone in Concert, Hamer Hall

The first of the Harry Potter series returns with live orchestral accompaniment.

A concert scene with the band covered in green and purple light.
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Music review: Japanese Breakfast, RISING, Port Melbourne Industrial Centre for the Arts

Michelle Zauner was pure magic. This felt like Japanese Breakfast at its fullest, most actualised form.

Joe Paradise Lui, a Chinese-Australian man with long red-streaked back hair and wearing glasses, stands with his hands raised in front of a representation of Guanyin, the Chinese bodhisattva or goddess of Mercy and Compassion, who is played by the Chinese-Australian actor and theatre-maker Merlynn Tong. She has short black hair and sits with her hands raised, in a blue prop representing Guanyin and her many arms and hands.
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Theatre review: Legends (of the Golden Arches), RISING, The Lawler, Southbank Theatre

A wry, witty and self-aware theatrical journey through Chinese Hell, presented by the MTC for RISING.

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