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We're All Gonna Die! – Maddie Nixon's climate show 'smashes Brisbane's buildings'
We’re All Gonna Die! embraces a monstrous metaphor, with the help of Dead Puppet Society and La Boite.
Sydney Fringe Festival: bigger and bolder than ever in 2025
This year's Sydney Fringe Festival is embracing more local and international talent than ever and a decentralised model of place.
Kimberly Akimbo review: a Broadway musical hit now making its Australian premiere
The Australian premiere of a Tony Award-winning musical, first staged in Adelaide and now in Melbourne.
Shock to bewilderment as ANU strips cultural legacies and denies creative futures
Whose good idea was it to take an axe to ANUs Schools of Art and Design, Music and Museum Studies?
Tomorrowland Australia: electronic music festival coming to Melbourne in 2026
What does Tomorrowland Australia mean for Australian artists, audiences and the live music economy?
Triple J Hottest 100 poll reveals Australia is growing up
From INXS to The Veronicas, Triple J’s all-time Hottest 100 celebrates the changing sound and audience of Australian music
Would INXS make it today? Rethinking the rise of Aussie icons
As INXS tops Triple J’s all-time Aussie songs list, it’s worth asking: could a band like theirs still break through…
The Audition review: a new musical gets a promising start in Tasmania
There were only four performances of The Audition in Hobart, but this musical was a hit.
Rusalka review: a near-perfect staging of Dvořák's most famous opera
Opera Australia’s new production of Rusalka is opera at its enchanting best.
Plied and Prejudice review: Austen thrills His Majesty’s Theatre, WA
An evening of Austen with plenty of laughs, Plied and Prejudice may be the most fun you’ll ever have at…
