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Does changing the score change a film? Hear My Eyes with Haydn Green
Whether it's a cerebral thriller or a sensory drama, Hear My Eyes is determined to change the film-going experience to…
Natasha Wanganeen: ‘Sci-fi films saved my life’
Actor-writer-producer Natasha Wanganeen takes us behind the scenes on Bunker: The Last Fleet, a dystopian, intergalactic reimagining of first contact…
$1 billion pledged to screen industry by the Greens
Australian stories on our screens are essential, says Greens Senator Sarah Hanson-Young.
Trans stories on screen are getting better – at last
Having worked in TV for decades and transitioned in the 90s, Julie Peters is optimistic about the future.
Opportunities and awards wrap
Entries open for Davitt Awards for women, Environmental Art and Design Prize plus Melbourne documentary wins in US Film fest…
Opportunities and awards wrap
Call outs for The Lester Prize plus winners of 2021 Sidney Myer Performing Arts Awards announced and finalists of 2022…
Damon Gameau’s Regenerating Australia eyes up climate solutions
The actor and director discusses his new film and how Australia's climate future could, and should, look.
ACMI's Katrina Sedgwick set to lead new Melbourne Arts Precinct
The outgoing ACMI CEO and Director will take up a new role with the Melbourne Arts Precinct Corporation next month.
Artists turn animators
Turning 'stone age animation' into new contemporary narratives thanks to COVID upskilling.
New CEO for Docklands Studios Melbourne
Stepping into the top job after several years in Malaysia, Antony Tulloch is 'delighted' to be returning to Melbourne.
