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Iconic Loved Unexpected review: Newcastle Art Gallery reopens with scale and sparkle
With a celebratory street party attached, the exhibition Iconic Loved Unexpected is a homerun showcase for the recently refurbished Newcastle…
Perle Noire review: charting the inner life of the iconic Josephine Baker
A powerful fusion of opera and cabaret, Perle Noire delves into Josephine Baker's inner world.
Dear Colin Brooks: defunded Victorian arts organisations address Creative Industries Minister
Four of the eight organisations abruptly defunded by Creative Victoria share their message for Creative Industries Minister Colin Brooks.
On the move: latest arts sector appointments
This week's Australian arts sector appointments include Rachel Perkins, who joins Screen Australia as Director of First Nations Strategy, and…
Manifest Destiny review: Alex Frayne's photographic roadtrip through a national crisis
Poverty porn, fly-in voyeurism or reality beyond the Netflix filter? Photographer Alex Frayne makes us question America’s decay in real…
Meanjin has been saved, but where are the opportunities for emerging writers?
A recent win for a beloved literary journal is a small gain for new authors who face diminished writing pathways.
Brodsky String Quartet with William Barton review: pioneering UK quartet teams with virtuoso yidaki player
The Brodsky String Quartet's collaboration with yidaki player William Barton was let down by a disjointed program.
Dragon I review: one man and an AI assistant at Perth Festival
In Dragon I, Adam Kelly tries to deliver a comedic lecture on dragons... until AI gets in the way.
Sydney Fringe 2026: Australia’s fastest-growing indie arts festival wants your show!
Got an idea for a show? Sydney Fringe can help you put it in the spotlight – and creatives across…
Good Man review: a rock-cabaret about rejecting toxic masculinity, at Adelaide Fringe
Connor Morel looks back on his younger exploits with the benefits of hindsight and the backing of a tight and…
