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Opera Queensland and Circa’s Orpheus & Eurydice set for European premiere at Edinburgh International Festival
The critically acclaimed production, created by Opera Queensland and Circa and presented by Edinburgh International Festival and Opera Australia, unites…
Carmen review: a new look for a classic opera at Sydney Opera House
One of the most famous operas of the 19th century gets a 21st century makeover.Â
Opera review: Aphrodite, Carriageworks
A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.
Opera review: Samson & Delilah, Palais Theatre
Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.
Opera Australia operating at a $10 million deficit
Opera Australia's latest announcement of significant financial losses is the latest in a long string of problems for the company.
Opera review: Flight, Her Majesty’s Theatre
State Opera South Australia’s ‘Flight’ is opera for our times.
Opera review: Innocence, Festival Theatre, Adelaide Festival
A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.
Performance review: Opera for the Dead (ç¥æŒ), Asia TOPA 2025
A cyber-opera that deserves the world stage.
Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House
Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.
Opera review: Die Meistersinger von Nürnberg, Royal Exhibition Building
Melbourne Opera stays well within its comfort zone for Wagner’s epic comedy. Â
