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Two white men dressed in Victorian era garb sit on a stage, either side of a large theatrical costumes/props basket with a decanter on the top of it. One man is draped in a blanket and clutches a glass looking worriedly at the older grey haired man, who also looks concerned but off downstage right, clasping his hands in his lap.
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Theatre review: The Woman in Black, QPAC

A powerful production of this acclaimed British thriller has commenced its Australian nationwide tour. 

No Church in the Wild. Murray Middleton. Image on the left is an author upper body shot of a white man in his 20s/30s sitting at a wooden table with his hands clasped on the table, and wearing a blue jumper. On the right is the book cover, which features a facade of a block of commission flats with the book's title laid over the balconies.
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Book review: No Church in the Wild, Murray Middleton

A complex and confronting story about migrant youth from the towers of Melbourne's inner west, their teachers and the local…

Image is a conceptual artwork that is a frame of 64 rectangular shapes laid out in eight rows with a black bold framework around and between them. Characters.
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Exhibition review: Characters, Hayden's Gallery

Six contemporary women artists using conceptual art to explore change, process and the philosophy of art.

Image is a dark gallery with a shiny wooden floor and a white box seat. On the walls are two 3D pieces, one a cupboard like work and the other comprising abstract faces.
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Exhibition review: Odalala, nireekshane and Uyirvu, Arts House

Australian and international artists examine histories of caste, migration, gender and sexuality.

The King's Player. Image is a bald white actor dressed in scruffy Middle Ages clothes with his mouth agape and his arms stretched out in surprise. Behind him is a large yellowish backdrop featuring a circle with a picture of a juggler in it.
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Theatre review: The King's Player, Alex Theatre

A one-man comedy show inspired by 'Hamlet', and told from the perspective of a lowly minstrel desperate for promotion.

The Story Thief, Kyra Geddes. Image on left is an author shot of a white woman in a white shirt, with a brown bob, smiling at the camera and leaning on a mantelpiece. On the right is the book cover showing the back of an 1800s woman in black striding along a dusty outback track with her back to us.
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Book review: The Story Thief, Kyra Geddes

A feminist perspective on Henry Lawson's 'The Drover’s Wife'.

Excitable Boy. Image on left is a head and shoulders shot of a white man in his 30s wearing a blue shirt under a grey jumper. On the right is a book cover with a photo of a young ragamuffin boy standing on a garden path between bushes and with a cigarette in his hand.
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Book review: Excitable Boy: Essays on Risk, Dominic Gordon

Dominic Gordon's first book takes us down Melbourne's lesser known paths.

Rocks holding up. Simone Slee. image is two pieces of rock on a plinth. They are on top of each other with a bulbous glass artefact squeezing out from between them.
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Exhibition review: Simone Slee: Rocks holding up, Sarah Scout Presents

A suite of sculptural works that is reflective and playful.

Wild Dogs Under My Skirt. Image is a group of Samoan women on a stage sitting on chairs in a semi circle and holding their fists together in front of them. In the middle stands another woman in a grey dress raising her arms triumphantly. The camera is at the back of the audience so some silhouetted heads are in the foreground.
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Performance review: Wild Dogs Under My Skirt, Riverside Theatres

Poetry-based work about being a Samoan woman performed by a multi-skilled ensemble.

Ginklet art. Image is a ceramic two-headed grey creature with horns and big red lips.
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Exhibition review: Adrian Cox, Catriona Secker, Katie Gamb, Ginklet, Beinart Gallery

Melbourne’s world-class surrealist art gallery delivers again with incredible Australian and international talent. 

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