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The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

Heroic. Adelaide Symphony Orchestra. On the left is a shot chest up of a middle aged white man with grey hair wearing dark rimmed glasses, folding his arms and holding a conductor's baton. On the right is a younger dark haired man wearing a dark suit and tie over a white shirt, smiling at the camera and holding his hands in front of him.
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Music Review: Heroic, Adelaide Town Hall

Leading Sibelian, Osmo Vänskä conducted a vivacious performance of Sibelius and Beethoven.

Embodied. Two female dancers on a dark stage, under two stage lights with barn doors are dressed in tight white skivvies and grey shorts, and are stretching their right arms up in the air.
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Dance review: EMBODIED, Dancehouse

A double bill of dance captivated and entranced.

The Grinning Man. A huddle of seven young actors in vaguely Victorian/Edwardian clothing grasp and peer over each other with manically grinning faces.
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Musical review: The Grinning Man, Alex Theatre

A number of miscalculations may make you grimace instead of grin in the Australian premiere of this British musical.

WAY. On a dark stage an older worried looking white woman in a grey hoodie is using a phone in a telephone box. A chair is on the right of the picture.
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Theatre review: WAY, fortyfivedownstairs

A one-person show that skilfully covers a societal issue with empathy and compassion.

Two white men dressed in Victorian era garb sit on a stage, either side of a large theatrical costumes/props basket with a decanter on the top of it. One man is draped in a blanket and clutches a glass looking worriedly at the older grey haired man, who also looks concerned but off downstage right, clasping his hands in his lap.
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Theatre review: The Woman in Black, QPAC

A powerful production of this acclaimed British thriller has commenced its Australian nationwide tour. 

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Dance Review: SILENCE, His Majesty’s Theatre, WA

SILENCE is a plea for treaty in dance form with drum-heavy soundscapes and a clever use of comedy.

Peacemongers. Against a green backdrop an Asian woman and white man sit at a dinner table laden with food, candles and books. He holds a butternut pumpkin and she holds a wine glass. They are both wearing serviettes tucked into their collars.
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Theatre review: Peacemongers, Darebin Arts Speakeasy

An experimental think piece that played with the concept of a perfect world.

The King's Player. Image is a bald white actor dressed in scruffy Middle Ages clothes with his mouth agape and his arms stretched out in surprise. Behind him is a large yellowish backdrop featuring a circle with a picture of a juggler in it.
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Theatre review: The King's Player, Alex Theatre

A one-man comedy show inspired by 'Hamlet', and told from the perspective of a lowly minstrel desperate for promotion.

Wild Dogs Under My Skirt. Image is a group of Samoan women on a stage sitting on chairs in a semi circle and holding their fists together in front of them. In the middle stands another woman in a grey dress raising her arms triumphantly. The camera is at the back of the audience so some silhouetted heads are in the foreground.
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Performance review: Wild Dogs Under My Skirt, Riverside Theatres

Poetry-based work about being a Samoan woman performed by a multi-skilled ensemble.

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