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‘Club Vegas: The Spectacle’. Photo: Supplied. A group of six performers on stage in extravagant purple body suit and feather on top of their heads on the stage with spotlights on them.
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Performance review: Club Vegas: The Spectacle, Athenaeum

All the ritz and glitz of Vegas in this variety show.

VIVA. Elegant. In front of shiny red curtains, four female dancers pose on the stage, three downstage and one on a higher platform. They are all dressed in burlesque costumes, including thigh high boots.
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Performance and venue review: Elegant, VIVA

Melbourne has a new cabaret venue that offers food and drink as part of its entertainment offering.

Reuben Kaye. Man with huge open mouthed lipsticked smile and extravagant eyelashes is under a striated spotlight.
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Comedy review: Reuben Kaye, Apocalipstik, The Malthouse, MICF 2024

A force of deliciously bent nature, Kaye delivers again.

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Comedy review: Mel & Sam: The Platonic Human Centipede, The Toff in Town, MICF 2024

Queer besties' new musical comedy is smart and ridiculous.

A scaffolding like set has several bodies positioned within it silhouetted against a lit backdrop. The Threepenny Opera.
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Opera review: The Threepenny Opera, Her Majesty's Theatre, Adelaide Festival

Searing satire and a rage against capitalism wrapped up in a love story.

Peter Cat Recording Co. Photo: Supplied. A five-person band from New Delhi. A group photo where the members are sitting, standing or hanging upside down.
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Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival

A smorgasbord of cabaret, theatre and live music at the Sydney Festival.

Dangerous Goods. Three black clad performers wear T shirts that say 'show up' and sing into microphones while spotlights shine down on them.
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Performance review: Dangerous Goods, QPAC

A high-octane cabaret that includes circus, aerials, drag and burlesque.

A Very Naughty Christmas. Group of young people in Christmas clothes preening for the camera.
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Cabaret review: A Very Naughty Christmas, Alex Theatre

A Christmas-themed show that felt divorced from anything remotely boundary-pushing, gender-bending or creative.

A male aerialist has suspended under a white spotlight.
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Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House

Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar.  

Melbourne Fringe. Two women with bustieres and frill collars, plus high ponytails face the camera.
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Performance Reviews: HIGH PONY, LOOPS, Black Widow, Melbourne Fringe Festival

Four Melbourne Fringe Festival works show the range on offer, from comedy to circus, cabaret and street tours.

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