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Clarice Beckett and Mirra Whale review: a shared vision across generations
Nearly a century apart, these women artists demonstrate the enduring appeal of the still life at Ngungunggula regional gallery.
360° – A Visual Journey review: Mandurah exhibition explores repetition, environment, perspective and translation
The eighth solo exhibition from Gisela A. Züchner-Mogall is showing at Mandurah Performing Arts Centre until 21 November.
Too Deadly review: looking at 10 years of Tarnanthi at AGSA
In this stunning anniversary exhibition, Tarnanthi shows the depth and strength of its legacy – all while ongoing funding conversations…
Dangerously Modern review: fearless women artists who disrupted the male canon
Rewriting Australian art history, ‘Dangerously Modern’ at the Art Gallery of NSW is equally erudite and entertaining.
The Unconformity review: a festival that finds its own way
One of Australia's most remote arts festivals has no problem drawing audiences for its unique embedded, and genuine, program.
Mike Hewson’s The Key’s Under the Mat review: arty playground is joyous and chaotic
Mike Hewson shatters taboos and transforms the Art Gallery of NSW’s Tank space into a light-filled, living playground.
Archie Moore: kith and kin at GOMA offers solemn testimony
With a Golden Lion from the Venice Biennale, kith and kin brings home an inalienable truth of the suffering upon…
Lisa Reihana review: Ngununggula’s first international exhibition
A regional gallery has given Lisa Reihana her second survey exhibition – when New Zealand is still yet to do…
Helen Britton review: a jeweller who is so much more
Internationally celebrated artist Helen Britton totally short circuits how we think about jewellery with wonder.
One-Way Ticket to Vietnam 1966 –1968 review: An exhibition of Catherine Leroy's photography
One-Way Ticket to Vietnam is part of the Ballarat Intenational Foto Biennale.
