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Review: Rock Bang, Malthouse Theatre
This show rocks and bangs but first of all, let’s get this straight: this is not your average circus, this…
Review: My Country by David Marr, Black Inc.
David Marr’s anthology, My Country, burns the names of those who fall under his crosshairs into their political headstones.
Review: The Nutcracker, His Majesty's Theatre
Carina Roberts as Clara and Claire Voss as the Snow Queen and Sugar Plum Fairy were as light on their…
Review: Cook and the Pacific, National Library of Australia
Two exhibitions offer a layered narrative of Captain Cook’s Pacific encounters, one that has plenty of space for First Nations…
Review: The Gods of Strangers, Dunstan Playhouse
Stuffed full of alternative Australian voices ready to challenge a mostly Anglo Saxon theatrical tradition – The God of Strangers…
Review: The Wharf Revue 2018: Déjà Revue, Sydney Theatre Company
The familiar awfulness of Australian politics is clearly a curse but the familiarity of the revue itself is a mixed…
Review: STAR WARS Identities: The Exhibition, MAAS
An experience that is quite different to the previous two Star Wars exhibitions at the Powerhouse.
Review: The Dance of Death, Belvoir
Playing at Belvoir, this new production of Strindberg’s 1900 classic play, is an increasingly macabre waltz steeped in the chant…
Review: Die Meistersinger von Nürnberg
Opening night was musically magnificent thanks to a talented local cast bolstered by two splendid German imports and Orchestra Victoria,…
Review: Bespoke, Brisbane Powerhouse
Queensland Ballet’s contemporary season of Bespoke at Brisbane’s Powerhouse delivers a highly energetic outstanding production. A quintessential narrative of modern…