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Review: Sara Macliver in Concert with Camerata, QPAC
The opening concert of Camerata's 2019 season offered an eclectic and interesting choice of repertoire.
Review: King Arthur: Gabrieli Consort & Players
It is a rare treat to see one of Europe’s most highly regarded ensembles performing in the intimate setting of…
Review: Sydney Symphony Orchestra – Bartók’s Concerto for Orchestra
A disappointing commission and two flavourless readings of colourful and dynamic works opens the SSO’s 2019 Masters Series.
Review: Swell 4.0 – Music as Medicine
A live-music experience that puts you front and centre of making, listening, sharing and reminiscing about music that moves.
Review: I'm Not Running, National Theatre Live
David Hare's latest is flat and disappointing.
Review: Idols - Ramesh Nithiyendran and Renee So, Fremantle Arts Centre
True to the adage that opposites attract, the vast stylistic differences of these two artists make for an uncanny yet…
Review: Don't Be a C***: This is How, The Butterfly Club
A troubling piece of theatre that struggles to deliver.
Review: Rest, WA Youth Theatre Company, FRINGE WORLD
A haunting encounter with our collective humanity, staged among the tombs and gravestones of East Perth Cemetery.
Review: Beside Myself by Sasha Marianna Salzmann
Beside Myself is fiction at its highest purpose – a debut novel that comes straight from the gates like a…
Review: Lé Nør [The Rain], The Last Great Hunt, Perth Festival
The Last Great Hunt unite their diverse skills and passions in a larger than life celebration of arthouse cinema, filmed…
