Search Results
Adelaide Fringe at 60
Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and…
The 2020 Opera and Fine Music calendar
From the world premiere of a new opera by Tim Finn and a significant exploration of women’s contribution to classical…
Ray Chen on breaking down the barriers to classical music
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice…
Dead white males and gay dancers: challenging stereotypes part two
If you think that classical music is all about dead white males, or that there’s something unmanly about male ballet…
On the road: why you need to be strategic about touring
Whether venturing around the country or overseas, planning a long-term touring strategy needs careful consideration.
The UNESCO City of Music without a concert hall
The lack of a purpose-built, acoustically engineered concert hall is hindering the artistic development of the Adelaide Symphony Orchestra.
Female composers forced to think small
On the eve of a new premiere, a leading female composer has spoken out about the disadvantages still faced by…
Why Australia still dances to an Irish tune
What impact have successive waves of Irish immigration had on Australian art and culture?
Why aren’t Australia’s female composers being heard?
New music by female composers is being sidelined in professional Australian concert programs.
New age markets for classical music
Are meditation, mindfulness and therapeutic audiences the next growth market for the classical music sector?
