Working with a star: legacy and the Marina effect

What happens when one of Time Magazine's 100 most influential people hands over control of her work to 12 less-known Australian artists?
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Staged at Pier 2/3 at Sydney’s Walsh Bay precinct, crowds are expected to cue over this ten day event to get a glimpse of Marina; photo ArtsHub

For 750 hours, celebrity performance artist Marina Abramović sat in the Museum of Modern Art (MoMA, New York) directly engaging with the public in eye-to-eye contact. The title of the 2010 exhibition, the artist is present, was a declaration of her unwavering commitment to her audience. And, for performance art groupies, that meant you were guaranteed to see Marina.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina