George Gittoes: amid the horror, the hope

The war artist's works are testimony to the great capacity of the human spirit for survival - and compassion.
[This is archived content and may not display in the originally intended format.]

Detail of the power painting The Preacher (1995) winner of the 1995 Blake Prize brings attention to the plight of Rwanda; courtesy the artist and Hazelhurst Regional Art Gallery.

This is a big show. The scale and intensity of these works are seemingly larger than life, confronting; their subject matter can only be described as one of life’s “big” topics of conflict and compassion, and lack thereof. Stretching 40 years, this survey is just a tip of the creative iceberg that defines George Gittoes, a war artist and humanitarian.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina