Why Australia’s gallery system is so broken

From the way public institutions acquire, to the value placed on Australian artists, and skewed funding streams that favour institutions, Brisbane gallerist Andrew Baker raises some hard truths about the visual arts sector.

Honesty is refreshing. It is especially refreshing in an area that is plagued with opacity – the art market.

While most tend to think the art market impacts us little, it is that other cog in the wheel which keeps the visual arts ecosystem rolling. Many acquisitions at our national and state institutions are brokered through commercial galleries and private dealers, both locally and internationally. However, the international reputation and promotion of Australian artists is largely the domain of their Australian dealers; and they often provide the only flow of cash that keeps artists off unemployment queues.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina