To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by a leap into the unknown.
Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.

At some stage in their arts practice, an artist may feel the urge to pursue their creativity in another state or even in another country. This decision to leave is not easy, with many factors to take into account. While the pros and cons need to be considered, the potential benefits of this move are what will ultimately become the deciding factor. 

Vagg says these three key things can be applied regardless of where an artist chooses to live, but may affect their decision about relocating. ‘Although you may get inspiration from relocating and working with different people, if you want to be an artist, practise your art. It shouldn’t matter where you live. However, moving might be an option to go where the money is or if you want a genuine career in the arts as a proper job. It all depends on what your aspirations are.’

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Art sparks my imagination. Uplifts my soul. Without it, I would shrivel up and become dust. An aimless wanderer searching for that next theatre fix, book fix, cinema fix. My first play was cathartic in reconciling my past so that I could be present in the present.