State of the Copyfight: Intellectual property in the digital age

Organizations such as the Electronic Frontier Foundation and Creative Commons claim that Big Brother isn’t just watching you, he’s colonized your life and is taking away your freedoms. Howard Emanuel examines the impact of the Digital Millennium Copyright Act and pre-installed Digital Rights Management on the tools artists and innovators use in doing their work, and what’s being done to keep infor
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For the past century, the vast majority of creative artists have been protective of their intellectual property rights. For writers, musicians, painters, dancers, and photographers alike, intellectual property laws have historically provided important protections that ensure that their work cannot be passed off as the creation of someone else, who could then reap the benefit (in terms of recognition, reputation, or remuneration) rightfully belonging to the creator.

However, in this current age of digital media, when creativity in certain arenas relies heavily upon the ability to freely access and distribute information, where artistic creations themselves benefit from viral marketing techniques, many are arguing that intellectual property laws must be “carefully limited to protect [a person’s] rights to create, access, and distribute information, as well as to develop new ways to do so.”

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Howard Emanuel
About the Author
As an actor, Howard Emanuel has appeared across the USA in regional theatres ranging from The Paper Mill Playhouse and The Shakespeare Theatre of New Jersey to the Pittsburgh Civic Light Opera and Houston's Theatre Under The Stars. As a playwright, he has recently completed his first full-length work, Last Supper. As a novelist, his urban fiction manuscript, Naked Angels, is currently being shopped to various publishing houses. He is currently hard at work on his second and third plays. He holds a B.F.A. in Acting from New York University, Tisch School of the Arts.