Sisterhood in Pacific art

Tracking two decades of contemporary Pacific art, this exhibition flattens hierarchies and welcomes understanding.

In her catalogue essay for the exhibition sis – Pacific Art 1980-2023, Moana writer Lana Lopesi says she grew up being called “sis” by her girlfriends, but adds, ‘yet within Pacific diasporic spaces in Aotearoa New Zealand, there is often visible discomfort at any mention of the word “feminism”’.

It follows the major exhibition presented by Auckland Art Gallery Toi o Tāmaki last year, Declaration: A Pacific Feminist Agenda curated by Ane Tonga. Like McDougall, she shares the belief that Pacific feminism has always existed, despite not being described as such.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina