Rising from lockdowns and floods: how Ballet International Gala is filling theatres against the odds

The young ballet company is currently touring Australia with a new version of an old favourite...
Two ballet dancers in white: a young man cradling a crying woman. Romeo and Juliet. Ballet International Gala

In the world of ballet, challenges, like difficult dance moves, should be overcome with grace. For Joel Burke, Artistic Director of Ballet International Gala (BIG), the COVID-19 pandemic and climate events like Cyclone Alfred presented obstacles that would have deterred many, but instead became the unlikely foundation for one of Australia’s most remarkable dance success stories, based in Brisbane.

“We started in the middle of COVID, during snap lockdowns when no long-term productions were happening in state theatres like Queensland Performing Arts Centre,” Burke explains, recalling the company’s unlikely genesis. “Recently, due to the cyclone, we’ve had flooded studios and power outages.”

Unlock Padlock Icon

Unlock this content?

Access this content and more

Leila Lois is a dancer and writer of Kurdish and Celtic heritage. Her poetry, essays and reviews have been published in Australia, New Zealand, USA and Canada by Southerly Journal, LA Review of Books, Honey Literary Journal, Right Now, Delving Into Dance and more.