Powerful, poignant and a punch to the guts: Breaking the Waves, the opera

Lyric soprano Jennifer Black discusses the joys and challenges of performing in ‘Breaking the Waves’, an opera based on Lars von Trier’s Grand Prix-winning 1996 film of the same name.
A stylised photograph of a naked woman sinking underwater, he long red hair drifting towards the surface.

Spoiler warning: This article alludes to the ending of Breaking the Waves.

When an accident renders Jan a quadriplegic, he asks Bess to sleep with other men and tell him about her sexual encounters in detail. Forced to weigh up her promise to love, honour and obey her husband versus the teachings of her faith, Bess’ choice leads to intense conflict within her fiercely religious community and sets in motion a disastrous series of events.

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Richard Watts OAM is ArtsHub's former National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the 2019 Sidney Myer Performing Arts Awards' Facilitator's Prize in early 2020. He received a Lifetime Achievement Award from the Green Room Awards Association in 2021, and a Medal of the Order of Australia (OAM) in June 2024. Photo: Fiona Hamilton. Follow Richard on Bluesky @richardthewatts.bsky.social and Instagram @richard.l.watts