Overseas literary residences: inspiration will last longer than the trip

What are some of the benefits and challenges of applying for an overseas literary residence?
overseas literary residencies. Image is of a passport, a little toy plan, a sunhat, notebook and sunglasses - all on the wooden boards of a tabletop.

It seems like a lot of work: don’t you have to apply for competitive grants, jump through hoops of bureaucratic red tape to abide by international visa short-stay protocols and then deal with the pressure of creating in a foreign land? And what about the possible language barriers to overcome as well? And yet the authors ArtsHub approached about their time spent in overseas literary residences all agree it was a worthwhile experience – and one that ultimately helped their writing practices.

Suzanne Smith spent two weeks at the Tyrone Guthrie Centre at Annaghmakerrig in Ireland in April 2023. The residency was prompted by her non-fiction book called The Altar Boys about the cover-up of clerical child sexual abuse in the mainly Irish Catholic diaspora of Maitland-Newcastle in NSW. As her book was published in Ireland and the UK, Smith was invited to spend time at the Centre to focus on her latest work, a historical fiction story set during the Vietnam War in Australia.

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Thuy On is Reviews Editor of ArtsHub and an arts journalist, critic and poet who’s written for a range of publications including The Guardian, The Saturday Paper, Sydney Review of Books, The Australian, The Age/SMH and Australian Book Review. She was the books editor of The Big issue for 8 years. Her debut, a collection of poetry called Turbulence, came out in 2020 and was released by University of Western Australia Publishing (UWAP). Her second collection, Decadence, was published in July 2022, also by UWAP. Her third book, Essence, will be published in 2025. Twitter: @thuy_on Instagram: poemsbythuy