How provenance became sexy

Tracking provenance is the detective genre of the museum world, attracting filmmakers and journalists as well as museum professionals.
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Still from the film The Woman in Gold

Provenance is a serious business, a difficult and expensive issue that has always troubled museum professionals and art dealers.

No one knows that better than the National Gallery of Australia, which is currently reviewing provenance in response to the now notorious case of the stolen Shiva. The Shiva, which now appears to have been stolen from a temple in Tamil Nadu before being purchased by the NGA via New York gallerist Subhash Kapoor in 2008, was repatriated to India in September. A sculpture from the Art Gallery of NSW and another from the NGA have also been repatriated.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina