From stage to screen: four Australian creatives discuss sideways career shifts

Leticia Cáceres, Elizabeth Coleman, Priscilla Jackman and Jean Tong describe how they adapted skills honed in the theatre into film and television careers.
L-R: Leticia Cáceres (photo: Sebastian Bourges), Elizabeth Coleman (photo: Rodney Stewart), Priscilla Jackman and Jean Tong (supplied). Four female and non-binary directors who have moved from stage to screen.

For writers and directors who have made a name in theatre, transitioning to television or film might seem like the logical step. The screen industry can offer bigger budgets, bigger productions and a whole new suite of storytelling tools.

‘I felt like I was moving to another world, and I’m a migrant, so I understand what it means to land in a place where you don’t speak the language. I had to learn to speak camera. I was really lucky to work with some very generous directors, some of whom had a theatre background, so they understood my limitations and really opened up the process to me.’

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Daniel Herborn is a journalist and novelist based in Sydney. His writing has appeared or is forthcoming in The Saturday Paper, The Monthly, The Guardian, The Sydney Morning Herald, The Age, and others. He has also practised law at an Intellectual Property firm specialising in creative industries clients.