Do you believe in magic?

The 2016 Adelaide Biennial will convert the most cynical non-believer that object-based materiality commands the museum and contemporary curatorial concerns.
[This is archived content and may not display in the originally intended format.]

Michael Zavros, The Poodle, 2014; Courtesy the artist, Starkwhite, Auckland, and Philip Bacon Galleries, Brisbane.

‘Every artist is a conjuror,’ says Lisa Slade, Curator of this year’s Adelaide Biennial of Australian Art and Assistant Director Artistic Programs at the Art Gallery of SA (AGSA).

The theme of her Biennial – which has got the visual art world pondering – is Magic Object. It breaks from the kind of cookie-cutter biennale vernacular we have become accustomed to and, rather, turns to a somewhat analogue material illusionism to question the state of making in Australian art now.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina