Cost crises and funding parity issues for ballet companies outside Sydney-Melbourne bubble

Two major ballet companies say they are not receiving equitable government funding support. How much is their location to blame?
ballet companies: a male-female ballet pas de deux posing in a white tutu costume against a bright pink backdrop. Their pose is mirror imaged on each half of the photo.

If you’re an arts worker residing outside ‘the big two’ cities – Melbourne or Sydney – you will know the feeling of being out of sight and out of mind all too well.

“But, sadly, that vision has not been endorsed by government, and although they have made ad hoc funding adjustments to companies around the country, they have not yet aligned with the ambition to have a world-stage ballet company in Queensland,” Weerasinghe says.

After Li Cunxin joined Queensland Ballet in 2012, he and QB’s executive team transformed the company from one that had a $6 million annual turnover, to one that now turns over upwards of $30 million a year.

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ArtsHub's Arts Feature Writer Jo Pickup is based in Perth. An arts writer and manager, she has worked as a journalist and broadcaster for media such as the ABC, RTRFM and The West Australian newspaper, contributing media content and commentary on art, culture and design. She has also worked for arts organisations such as Fremantle Arts Centre, STRUT dance, and the Aboriginal Arts Centre Hub of WA, as well as being a sessional arts lecturer at The Western Australian Academy of Performing Arts (WAAPA).