Artists showing women’s bodies as (still) a battleground

In the week of International Women's Day, ArtsHub speaks to two artists whose recent work explores the politics of women’s bodies to ask them why this subject is (still) important to their practice.
Women's bodies in art: a photograph of a naked woman with her back to the camera surrounding by many paper cut out illustrations of eyes and carboard assemblages.

It’s possibly one of the best-known pieces of art world folklore that the famous US artist Barbara Kruger never set out to be an artist-icon. Rather, she spent years doing graphic design work for women’s magazines before experimenting with the fashion world vernacular to create her own promotional poster for a Women’s Rights March in 1989. She then adapted that to make a large-scale print-based installation artwork.

That work, named Untitled (Your body is a battleground), 1989, shows a young, perfectly proportioned white woman’s face in classic 1950s style, but her image has been split down the middle to separate its “true” appearance from an inverted version that has been made to look grainy and blurred.

The bold red text running down the centre of work displays the pithy slogan, ‘Your body is a battleground’ and it has helped position the piece as a powerful symbol of the fraught place of women’s bodies in the Western world (especially in the US), at that time.

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ArtsHub's Arts Feature Writer Jo Pickup is based in Perth. An arts writer and manager, she has worked as a journalist and broadcaster for media such as the ABC, RTRFM and The West Australian newspaper, contributing media content and commentary on art, culture and design. She has also worked for arts organisations such as Fremantle Arts Centre, STRUT dance, and the Aboriginal Arts Centre Hub of WA, as well as being a sessional arts lecturer at The Western Australian Academy of Performing Arts (WAAPA).