Nine tips to win public art commissions

Public art commissions are a rich source of income for artists but public funding makes them notoriously bureaucratic. Cut through the red tape.

As we scan the horizon with its countless heroic bronzes and “big things”, it’s easy to believe public art commissions are only for artist who work to monumental proportions.

But ​the stakeholders commissioning today’s public art are interested in site responsiveness and the way the community can interact with the work. They include Steven Russel’s quiet ​Human ​Sundials along Bondi’s sea wall evoking Koori seasonal stories and WA’s Alina Tang’s ephemeral Tussie Mussies, a mobile flower cart where the artist prepares customised bouquets for members of the public as a catalyst for engagement about female identity and strength.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina