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The Government Inspector. Three men in brightly coloured shirts look at the phone the middle one is holding. A woman behind is peering over his shoulder to see too. They all look concerned.
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Theatre review: The Government Inspector, Clubhouse Theatre, Townsville

A riotous Aussie adaptation of Gogol's classic work.

Roller Coaster. A dark stage has a backdrop of neon lights in the top right hand corner of the frame, saying 'Ocean Side Rolla Rama'. In a spotlight in the centre of the stage are two women, one wearing skates and multi-coloured socks has crashed to the ground. Behind her a commentator in a purple shirt with a headset mic is crouching and shouting - is she cheering or jeering? We don't know.
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Aesthetics, happiness and social cohesion: celebrating art’s most important values

Everybody NOW!’s 2023 production ‘Roller Coaster’ had measurable benefits in terms of social wellbeing, empowerment and connection, a new report…

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Theatre review: Yentl, Malthouse Theatre

'Yentl' returns after two years in a new venue and with a new lead performer.

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Theatre review: Grand Theft Theatre, Adelaide Festival

A recreation of memorable theatrical experiences forms the basis of this show.

Elderly man is sitting on a step ladder in a black suit with his eyes closed. He is dipping a paint brush into a tub held by another person and on the wall is a large splash of red paint.
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Performance reviews: Marina Abramović Institute: Takeover, Adelaide Festival

A suite of duration works from different artists in different spaces.

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WOMADelaide 2024 – more than music

WOMADelaide offers exceptional musical performances from around the world... but that's not all.

Two of Them. Two men in business suits on a stage. One is in the centre with his arms outstretched to the side, the other sitting behind on a stool with his arm in a sling. There are two abstract projections of spheres on the back wall.
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Theatre review: Two of Them, Adelaide Fringe

An absurd mix of text, movement and animation.

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Opera review: The Nightingale and Other Fables, Adelaide Festival Centre, Adelaide Festival

A stunningly inventive operatic reimagining makes its Australian debut in Adelaide. 

Lehmann Trilogy. Image is a man in a red tinted corporate office, with a grid of square fluorescent lights overhead. He is standing on a boardroom table with his arms outstretched to the side. Around him are file boxes and one is being carried out by an office worker.
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Theatre review: The Lehman Trilogy, Theatre Royal, Sydney

An epic journey through the life of the company at the epicentre of the 2008 Global Financial Crisis.

The Hate Race. A woman in blue is standing on a stage marked with yellow and brown wavy patterns. She next to a bicycle and there is a large half circle light shape on the back wall.
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Theatre review: The Hate Race, Malthouse Theatre

Maxine Beneba Clarke's memoir receives a poignant and powerful adaptation.

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