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Exhibition review: Ingrid Morley, Orange Regional Gallery

Bold elegant sculptures made from farm machinery talk about loss and renewal, in the hands of artist Ingrid Morley.

Teal coloured promotional sign with word MÃŒNH in bold capital letters, in front of trees.
Features

Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

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Exhibition review: Sea Monsters, WA Maritime Museum

Try to catch Sea Monsters before this exciting exhibition becomes extinct.

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Exhibition review: Twist, Tasmanian Museum and Art Gallery

‘Twist’ is one of those rare exhibitions that hit the mark on both depth and scope, with curious encounters and…

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Exhibition review: What Is Your Gov'ment Name: Olana Janfa, Immigration Museum

Immerse yourself in the vibrant world of Olana Janfa's exhibition 'What's Is Your Gov’ment Name'

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Exhibition review: Henri van Noordenburg, Logan Art Gallery

Revising Renaissance techniques from the Netherlands, aspects of ’Still Water’ may elude some audiences. But this is why viewing should…

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Exhibition review: Connection, THE LUME

Immersive in every sense of the word, Connection is a wonderland of First Nations artwork, imagery and soundscapes.

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Exhibition reviews: eX de Medici: Beautiful Wickedness and Michael Zavros: The Favourite, QAGOMA

Two Irresistible exhibitions presents a unique double blockbuster of the work of contemporary artists who offer separate yet synergistic practices.

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A vital pathway for nurturing contemporary Indigenous art

Darwin’s biggest cultural event, the Darwin Aboriginal Art Fair, plays an important role in the livelihoods of Indigenous communities.

Painting of a young man's face in close crop. In the background is a winding path in the midst of a yellow field.
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'Don't overthink it' says 2022 Hornsby Art Prize winner

Thanks to the Hornsby Art Prize, Solomon Karmel-Shann is now taking a new direction in his work, but initially it…

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